genuine need中文的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

genuine need中文的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦陳超明寫的 一句英文看天下:閱讀英文小說、電影、歌曲(二版) 和Howard Jacobson的 Shylock is My Name: The Merchant of Venice Retold都 可以從中找到所需的評價。

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這兩本書分別來自聯經出版公司 和所出版 。

國立中山大學 行銷傳播管理研究所 王紹蓉所指導 曾榆庭的 和「擬」一起做公益: 以擬社會互動探討直播中的公益支持意圖 (2021),提出genuine need中文關鍵因素是什麼,來自於公益直播、擬社會互動、遠距臨場感、支持意圖、懷舊感、隱性自戀。

而第二篇論文國立宜蘭大學 休閒產業與健康促進學系運動與健康管理碩士班 董逸帆所指導 林明意的 飯店員工對職場滿意度與留任意願之研究 —以宜蘭市五星級飯店為例 (2021),提出因為有 職場滿意度、留任意願、親子飯店、櫻桃烤鴨、五星級飯店的重點而找出了 genuine need中文的解答。

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接下來讓我們看這些論文和書籍都說些什麼吧:

除了genuine need中文,大家也想知道這些:

一句英文看天下:閱讀英文小說、電影、歌曲(二版)

為了解決genuine need中文的問題,作者陳超明 這樣論述:

每天,我們應該聽一首小曲、讀一首好詩、看一幅優美畫作,如果可能,講幾句有見識的話。──德國大文豪歌德 “Every day we should hear at least one little song, read one good poem, see one exquisite picture, and, if possible, speak a few sensible words.”-by Johann Wolfgang von Goethe   文學大師 陳超明 給你一句話的震撼力量   跨越英美文學門檻,用一句英文看世界,咀嚼人生的大智慧   當紅電影、近代小說、經典名著、知名

音樂劇、流行歌曲、名人佳句   優美英文處處在你我身邊   一次一句,增進英文實力!   .總共收錄 100 句名言佳句   .精選自膾炙人口的電影、經典及當代小說、戲劇、音樂劇、歌曲、詩、散文、廣告等   .每篇佳句均有中文翻譯、單字解析、陳超明教授的精采導讀賞析   .利用優美句子,學英文句型、單字   .學好英文,同時領略句中的人生智慧、處世之道、領導風範、未來規劃   豐富題材:   電影   《冰雪奇緣》、《蜘蛛人 2》、《亞果出任務》、《鋼鐵人 3》、《派特的幸福劇本》、《闇黑無界:星際爭霸戰》、《超人:鋼鐵英雄》、《P.S. 我愛你》、《騎士出任務》、《環太平洋》、《美國隊

長 2》、《少年 Pi 的奇幻漂流》、《春風化雨》、《地球過後》、《雷神索爾 2》、《福爾摩斯》、《偷書賊》……   小說   《最後一封情書》、《往生者》、《羊毛記》、《米德鎮》、《蒼蠅王》、《科學怪人》、《天真》、《遠大前程》、「傑克‧李奇」系列小說、《艾瑪》、《簡愛》、艾西莫夫《基地》系列、《老人與海》……   戲劇、音樂劇   莎士比亞戲劇《皆大歡喜》、《馬克白》   音樂劇《愛無止盡》、《悲慘世界》、《夢幻騎士》、《西貢小姐》   散文   亨利‧梭羅〈湖濱散記〉、查爾斯‧蘭姆〈舊瓷器〉、愛倫‧波〈詩的原則〉、法蘭西斯‧培根〈論學習〉、瓦特‧裴特〈鑑賞〉、約翰‧紐曼〈大學的理念

〉、托爾斯泰〈小冊子〉……   詩   密爾頓〈失樂園〉、史詩〈奧迪賽〉、濟慈〈秋頌〉、佛洛斯特〈雪夜中林外駐足〉、雪萊〈變〉、惠特曼〈草葉集〉、威廉‧布萊克〈毒樹〉、濟慈〈快樂的英格蘭〉、拜倫〈她在美中行走〉、丁尼生〈老鷹〉……   歌曲   克莉絲汀‧阿奎萊拉“Fighter”、席琳狄翁“That’s the Way It Is”、Bruno Mars“Just the Way You are”、地下天堂“The Price We Pay”   名人佳句   比爾‧柯林頓、西默斯‧希尼、愛倫‧佩基  

和「擬」一起做公益: 以擬社會互動探討直播中的公益支持意圖

為了解決genuine need中文的問題,作者曾榆庭 這樣論述:

  直播近年來廣受歡迎,結合電子商務所帶來的效益更是驚人。近期許多電商平台如淘寶、蝦皮等開始結合公益主題,讓社會弱勢可以透過電商直播獲得社會支持。本研究以電商直播為研究標的,探討在公益直播中直播主與觀眾間互動,對於觀眾公益支持意圖的影響,以及公益情境塑造和觀眾心理特質的調節效果。本研究以實驗法探討變數間的因果關係,招募20歲以上具有消費能力者為研究對象並進行隨機分派,實驗一為2(擬社會互動:高VS.低)x2(受害者可識別性:高VS.低)網路實驗,實驗二則為2(擬社會互動:高VS.低)x2(懷舊感:懷舊感VS.非懷舊感)網路實驗。研究結果發現,當擬社會互動高時,會比擬社會互動低時更能引發用戶的

遠距臨場感;而當用戶擁有較高的遠距臨場感時,將會導致較高的支持意圖(關注意圖、購買意圖、捐款意圖);其中受害者可識別性不會調節擬社會互動對遠距臨場感間的影響,但懷舊感對擬社會互動及遠距臨場感間的關係具有調節效果;值得注意的是,僅有實驗二表明當用戶的寂寞感越低越可能提升用戶的捐款意圖,其他與寂寞感相關的假說皆不成立;另僅有實驗一顯示用戶的隱性自戀會強化遠距臨場感對購買意圖的關係。本研究拓展直播研究範疇,將公益主題納入探討,為新興公益直播提出優化建議,並提供直播媒體更多元的經營方向,同時為公益團體說明一種新的推廣方式,達到實務與學術上的綜效。

Shylock is My Name: The Merchant of Venice Retold

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為了解決genuine need中文的問題,作者Howard Jacobson 這樣論述:

  曼布克文學大獎得主 霍華.傑可布森   利筆剖開莎士比亞《威尼斯商人》關鍵人物   大膽挑戰你閱讀經典文學的角度   「挑戰莎士比亞」系列小說   出版至今最艱難的一關《威尼斯商人》終於公開!   曼布克文學大獎得主傑可布森,勇敢扛下可能「自砸招牌」的巨大壓力,讓《威尼斯商人》極具爭議性的猶太角色夏洛克「還魂」來到21世紀,說出莎士比亞從未讓他坦露的心聲。   收藏家西蒙剛經歷妻子重病、叛逆女兒逃家的衝擊,亟需傾訴對象。他在墓園遇見了來自過去的夏洛克,邀請他回家暢聊心事,然而接下來,兩人的生活卻像觸發了什麼按鈕,意外接連而至……   莎翁筆下的夏洛克堅持要對手割下身上的「一磅肉」來

還債,但21世紀的全新夏洛克,是個對生命充滿熱忱的性情中人,劇中的「一磅肉」巧妙化為令人瞠目結舌的轉折。傑可布森以細膩中帶有挑釁的文字、富思辨性的對白,徹底打破我們對經典文學人物的刻板印象,開啟理解故事的嶄新角度。   《威尼斯商人》究竟是喜劇或悲劇?人人追打的反派角色夏洛克,是否另有隱情?身為全球知名猶太裔作家的傑可布森,讓爭議角色終能為自己發聲。各位讀者,這一次,請親自聽夏洛克說分明。   (中文簡介來自寂寞出版《挑戰莎士比亞4:我就是夏洛克》書介)   Man Booker Prize-winner Howard Jacobson brings his singular brill

iance to this modern re-imagining of one of Shakespeare’s most unforgettable characters: Shylock     Winter, a cemetery, Shylock. In this provocative and profound interpretation of “The Merchant of Venice,” Shylock is juxtaposed against his present-day counterpart in the character of art dealer and

conflicted father Simon Strulovitch.  With characteristic irony, Jacobson presents Shylock as a man of incisive wit and passion, concerned still with questions of identity, parenthood, anti-Semitism and revenge.   While Strulovich struggles to reconcile himself to his daughter Beatrice's “betrayal”

of her family and heritage – as she is carried away by the excitement of Manchester high society, and into the arms of a footballer notorious for giving a Nazi salute on the field – Shylock alternates grief for his beloved wife with rage against his own daughter's rejection of her Jewish upbringing

. Culminating in a shocking twist on Shylock’s demand for the infamous pound of flesh, Jacobson’s insightful retelling examines contemporary, acutely relevant questions of Jewish identity while maintaining a poignant sympathy for its characters and a genuine spiritual kinship with its antecedent—a d

rama which Jacobson himself considers to be “the most troubling of Shakespeare’s plays for anyone, but, for an English novelist who happens to be Jewish, also the most challenging.” Review   International Praise for Shylock Is My Name:   “[An] ebullient riff on Shakespeare... [a] blend of purpose

ful deja vu and Jewish fatalism…Jacobson’s highflying wit is more Stoppardian than Shakespearean, even amid rom-com subplots and phallocentric jests equally well suited to Elizabethan drama as to the world of Judd Apatow.”-- The New York Times Book Review   “Jacobson… has delivered with authority a

nd style… [a] deft artist firmly in control, offering witty twists to a play long experienced by many as a racial tragedy.” -– The Washington Post   “Sharply written, profoundly provocative.” --The Huffington Post   "The Shylock of the novel is ... a character in search of an author, or at least a

n author who will write him fully, fill in the blanks and give him a voice where once he was voiceless. And in Jacobson, after just over 400 years, he has found a mensch who has done—with considerable skill—exactly that."-- The Daily Beast   “Stimulating… Jacobson is ideally suited to take on ‘Merc

hant.’”-- The Milwaukee Journal Sentinel   “It is delicious…Jacobson is one of our finest writers.” -- Forward   “A funny and insightful reimagining of The Merchant of Venice…Jacobson is uniquely qualified to take on The Merchant of Venice.”-- The Miami Herald   “A serious comic masterpiece.” –-

The Spectator (UK)      “Supremely stylish, probing and unsettling…This Shylock is a sympathetic character... both savagely funny and intellectually searching, both wise and sophistical, intimate and coldly controlling… Jacobson's writing is virtuoso. He is a master of shifting tones, from the sati

rical to the serious. His prose has the sort of elastic precision you only get from a writer who is truly in command.” -- The Independent (UK)     “Jacobson takes the play's themes - justice, revenge, mercy, Jews and Christians, Jew-hatred, fathers and daughters - and works away at them with dark h

umour and rare intelligence… This is Jacobson at his best. There is no funnier writer in English today. Not just laugh-out-loud humour, though there is plenty of that, including wonderful jokes about circumcision and masturbation. But a sharp, biting humour, which stabs home in a single line… This i

s one of his best novels yet.” – Jewish Chronicle (UK)   “Part remake, part satire and part symposium, Jacobson's Merchant is less Shakespeare retold than Shakespeare reverse-engineered... in these juicy, intemperate, wisecracking squabbles, Jacobson really communicates with Shakespeare's play, tea

sing out the lacunae, quietly adjusting its emphases … and making startlingly creative use of the centuries-old playscript.” –-Daily Telegraph (UK)     “Jacobson, with glorious chutzpah, gives Shylock his Act V, and the end when it comes is extremely satisfying… Provocative, caustic and bold.” –- Fi

nancial Times (UK)     "Jacobson is a novelist of ideas... What is added to a great work in the rewriting? Do we need the argot of the 21st century because the original is now intimidatingly remote? [Shylock Is My Name] is a moving, disturbing and compelling riposte to the blithe resolution offered

in the urtext."-- Sydney Morning Herald (Australia)   “Jacobson treats Shylock less as a product of Shakespeare’s culture and imagination than as a real historical figure emblematic of Jewish experience—an approach that gives the novel peculiar vigour.” – Prospect Magazine (UK)     “When Shylock an

d Strulovitch are swapping jokes, stories, and fears, the tale is energetic…a work that stands on its own.” – Publishers Weekly   “The Merchant is well-suited to Jacobson, a Philip Roth–like British writer known for his sterling prose and Jewish themes….full of the facile asides and riffs for which

Jacobson has been praised.” -- Kirkus About the Author   HOWARD JACOBSON has written fourteen novels and five works of non-fiction. In 2010 he won the Man Booker Prize for The Finkler Question and was also shortlisted for the prize in 2014 for his most recent novel, J. Howard Jacobson’s first b

ook, Shakespeare’s Magnanimity, written with the scholar Wilbur Sanders, was a study of four Shakespearean heroes. Now he has returned to the Bard with a contemporary interpretation of The Merchant of Venice.

飯店員工對職場滿意度與留任意願之研究 —以宜蘭市五星級飯店為例

為了解決genuine need中文的問題,作者林明意 這樣論述:

摘 要 本研究之目的為探討員工對職場滿意度和留任意願之研究。本研究採質性研究之結構性訪談法與問卷調查法。以飯店之員工為研究對象,並使用便利抽樣方式發放460份問卷,回收有效問卷共計447份,有效問卷回收率為97.17%。將有效樣本以SPSS 25.0版統計套裝軟體進行統計分析,經由描述性統計、重複量數單因子變異數分析與LSD事後比較法、獨立樣本t檢定、獨立樣本單因子變異數分析與Scheffe’s事後比較法、多元迴歸分析等統計方法,研究結果顯示:一、其中以「性別以女性」、「學歷以大學(專)以上」、「年齡層以31~40歲」、「月平均收入以30,000元以下」、「工作年資以3年以上」與「服務部門

以餐飲部」居多。二、飯店員工職場滿意度各因素間達顯著差異三、飯店員工留任意願各因素間達顯著差異四、在職場滿意度內「性別、學歷、年齡、月平均收入、工作年資、服務部門」達顯著差異。五、在留任意願內「學歷、年齡、月平均收入、工作年資、服務部門」達顯著差異。六、飯店員工之「主管領導」、「工作環境」與「薪資福利」對於留任意願之預測皆達顯著差異。