Interface的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

Graphene and 2D Materials in Heat Transfer: Fundamentals and Applications

為了解決Interface的問題，作者 這樣論述：

Heat transfer is a major engineering challenge that has implications in several areas including space, energy, transportation, manufacturing, and medicine. Graphene and other 2D materials have outstanding thermo-physical properties. As a result, these materials are being exploited in various appl

ications. Although several reports have been published on fundamental heat transfer aspects of such materials, the topic remains challenging to understand for many who are new to it. Graphene and 2D Materials in Heat Transfer: Fundamentals and Applications aims to provide readers with the most recen

t information on the synthesis and applications of graphene in heat transfer. Furthermore, mechanical and thermal properties of 2D materials, solid-liquid interface phonon transfer at the molecular level, methods and observations of transport phenomena in nano-micro domains will be addressed. The bo

ok also offers detailed coverage of the emerging applications of 2D nanofluids and nanolubricants as alternatives to conventional heat transfer fluids The book explores applications in microchannel heat sinks, micro heat exchangers, and micro heat pipes, molecular dynamics (MD) simulations for heat

transport problems related to 2D materials and applications. In addition, convective heat transfer approaches for 2D materials and nanocomposites are also addressed. This is an important reference source for materials scientists and engineers who want to learn more about how graphene and other class

es of 2D materials are being used as heat transfer agents.

Interface進入發燒排行的影片

錨定含吡啶與吡唑雙配位基於氧化鋅奈米粒子的合成、催化與水中的應用

為了解決Interface的問題，作者廖建勳 這樣論述：

本篇論文選擇以吡唑、吡啶以及含有羧酸根官能基的含氮雜環碳烯為主要結構，藉由中性分子化合物 (NHC-COOH) (5) 錨定在氧化鋅奈米粒子，成功合成出氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9)。而且有機分子修飾在氧化鋅奈米粒子上，能使得氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 均勻分散在高極性的溶劑中，因此可以利用核磁共振光譜儀、紅外線光譜儀進行定性與定量分析，並用穿透式電子顯微鏡量測粒徑大小。 除此之外，也把氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 與鈀金屬螯合鍵結成鈀金屬氧化鋅奈米粒子載體 (Pd-NHC ZnO NPs) (1

0)。並且應用於 Sonogashira 偶聯反應，探討分子式觸媒 (Pd-NHC) (6) 與載體式觸媒 (Pd-NHC ZnO NPs) (10) 的催化活性。研究結果顯示載體式觸媒 (Pd-NHC ZnO NPs) (10) 的催化效果與分子式觸媒 (Pd-NHC) (6) 相當，這結果可證明不會因為載體化的製程，而減少中心金屬的催化活性，而且載體式觸媒 (Pd-NHC ZnO NPs) (10) 可以藉由簡單的離心、傾析後，即使經過十次回收再利用，仍然保持著很高的催化活性。 工業廢水是近年來熱門討論的議題，廢水中所含有的重金屬離子往往會造成嚴重的環境汙染。而這些有毒的金屬汙染物

不只汙染了大自然，更是影響了人類的健康。因此，如何從廢水中除去重金屬離子是非常重要的技術。在本篇研究中，利用氧化鋅奈米粒子載體 (ZnO-NHC NPs) (9) 當作吸附劑，把廢水中常見的鋅、鉛、鎘等金屬，以及硬水溶液中的鈣、鎂金屬成功吸附。接著利用氫氧化鈉當作脫附劑，成功的把金屬離子脫附下來，並且進行再次吸附，也達到很好的效果。除了吸附與脫附的定性分析，本論文也進行吸附的定量分析實驗，發現與文獻其他相近系統效果相當，尤其在低濃度金屬離子的吸附更是優於許多文獻數值。

The Present and Future of Music Law

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為了解決Interface的問題，作者 這樣論述：

The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships tha

t can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framewor

k to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key t

opics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law. Ann Harrison is a Partner at SSB Solicitors Limited, a leading boutiqu

e law firm that specializes in music law, wider entertainment law, sponsorship and branding. She is a highly experienced lawyer who is well known across the UK music industry and regarded as expert in all aspects of music business contracts, copyright, protection of IP rights, et al. Ann is author o

f Music: The Business (8th Edition, pending 2021), the key textbook on all music business further education courses in the UK. She is a guest Lecturer at many UK further education institutions and a Leader in Residence at the University of Central Lancashire, UK. Ann is recognised as a Leading Pract

itioner in the Chambers and Partners 2021 Legal Services Guide. Tony Rigg is a Music Industry Practitioner, Business Consultant and Educator affiliated with the University of Central Lancashire, UK, where he leads the Master of Arts Programme in Music Industry Management. He is also Head of Music Bu

siness Education at the School of Electronic Music, UK. He has occupied senior management roles in market-leading organizations including Operations Director for Ministry of Sound, overseen the management of more than one hundred music venues and delivered thousands of music events. As an artist/ pr

oducer he has a chart pedigree with tracks featured on chart-topping and gold-selling albums. His notable publications include Popular Music in the Post-digital Age: Politics, Economy, Culture and Technology (2018), The Future of Live Music (2020) and The Evolution of Electronic Dance Music (2021),

which he co-edited with Ewa Mazierska and Les Gillon and The Present and Future of Music Law (2021), which he co-edited with Ann Harrison.

探討數位科技導入餐飲服務業對於消費者服務體驗之影響

為了解決Interface的問題，作者張雅涵 這樣論述：

數位革命成為一股強大的變革力量，然而大多數的研究討論上亦聚焦於導入數位科技對廠商之優勢和效益，卻少以從消費者視角深入地探討心理感受。因此，本研究首先透過文獻綜整分析針對餐飲業將不同數位科技進行分類，並整理說明這些不同類型數位科技之特性，進而運用消費者深度訪談分析這些科技運用對於消費者接觸時所產生之感受和體驗，欲歸納出消費者在面對各類型餐飲數位科技服務的不同服務情境所產生的可能正反面感受。研究結果發現在服務前、中，主要優點是省時、便利、舒適自在。在服務後，其主要優點有輕便方便、舒適自在、自主性。再者，個人的心理也產生截然不同的缺點，在服務前，主要缺點分別為:系統介面未優化、缺乏溫度真實感、服務

介面制式化、疏遠性。而在服務中的有:缺乏溫度真實感、使用介面不流暢、功能單一化。至於在服務後，強迫不適感、時差性、資料安全疑慮盜刷風險上述三個為主要缺點。最後，本研究貢獻方面，在實務管理意涵上，期望透過這些結果能供業者在導入數位科技於服務流程中之商業價值，以提供餐飲業者在擬定服務創新策略時之參考。