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Gambling with Life: Images from China’’s Detention System (1986-1997)

為了解決baofeng的問題，作者Guozheng, Niu,Dematte, Monica 這樣論述：

-Rarely seen images from China's detention system; the stark and beautiful photography is accompanied by texts that place the images in a precise historical period and explain the context -Includes a number of moving stories told by the author Niu Guozheng hails from Henan, a province of inland Chin

a. Employed in the law enforcement agency of the Pingdingshan prefecture, whose economy is largely based on mining - an activity he has portrayed in two distinct photographic series - Niu witnessed situations that his own sense of justice considered as unjustifiable. He documented living conditions

in centres for custody and interrogation (in Chinese 'shoushensuo'), thinking that the treatment of the prisoners was not worthy of his country's ethics. His activity as a camera-carrying policeman, accepted or tolerated by his colleagues and by the inmates, was motivated by his belief that only kno

wledge of facts can bring about the solution of problems. The centres for custody and interrogation were shut in 1997 thanks to a reform of the criminal justice process. Exhibited at the Central Academy of Fine Arts in Beijing for a short time, Niu Guozheng's reportage has not been published to date

. His images, stark and disturbing in some cases, tenderly poetic in others, characterize an eye that merges the documentary intent with a very strong aesthetic sensibility which reminds us of the classic masters of photography. Text in English, Chinese, and Italian. Monica Dematté has lived betwe

en Italy and China since 1986. She has been curator at the Singapore Art Museum and the Shangai Gallery of Art. Currently she is artistic director of Mo Art Space a Xinmi, Henan. For Private, the international photography review, she has edited three issues dedicated to China: China. Flesh and Blood

(1999), Earth. The Infinite China of the Countryside (2005) True or Real? China (2011). Her book Art - An Individual Research: Witnessing 20 Years of Chinese Contemporary Art (Hebei Arts Publishing House, 2008) is the only book on this subject published in Chinese by a foreign scholar. Niu Guozheng

was born in Baofeng, Henan, in 1955. After having enlisted in the Army, in 1980 he joined the Police force of Pingdingshan, working in that capacity until 2015. His initial photography was work-related, but he soon developed an interest and passion for it. His work has been shown in numerous exhibi

tions: Slogan (2005, Pingyao International Photo Festival); Dreamy Landscapes (2005, Lianzhou International Photo Festival); Retrospective (2008, Ofoto Gallery, Shanghai); Sport the Chinese Way (part of the great exhibition on reportage, 2009, Wanping, Beijing); Once there were the centers for custo

dy and identification (2015, CAFA Gallery, Beijing).

baofeng進入發燒排行的影片

智慧家居產品體驗和顧客參與對顧客忠誠行為的影響

為了解決baofeng的問題，作者于鶴瑤 這樣論述：

近年來隨著科技技術的不斷發展，越來越多的廠商進入智慧家居市場，並且智慧家居產品也被越來越多的家庭所使用。在智慧家居市場快速成長下，深刻理解消費者使用智慧家居的行為路徑，以及使用者與智慧家居產品藉由互動共同創造體驗，透過顧客參與，為廠商帶來貢獻，均為廠商應關注的議題。本研究目的之一在於理解使用者對智慧家居產品的體驗是否藉由知覺擬人化連結影響顧客參與。特別是不同的產品類型的使用是否調節體驗與知覺擬人化連結間的關係。最後探討顧客參與中的認知、情感以及行為這三個面向對消費者在持續行為、推薦行為和依賴等方面的後續影響的程度為何。本研究以發放問卷的形式調查中國大陸地區的智慧家居產品使用者的使用體驗，並進

行基本人口統計資料分析、敘述性統計分析、信效度分析以及調節效果的檢定。研究結果發現IoT體驗驅動使用者的知覺擬人化連結，特別是混合代理類型的體驗知覺擬人化連結的影響顯著大於其他兩種類型的體驗。此外，知覺擬人化連結驅動顧客參與，特別是對使用者的情感參與有最強的影響。同時，顧客參與提升使用者對品牌的依賴，相較於認知參與和行為參與，尤其是情感參與最能造成使用者的依賴，最終顧客依賴對顧客忠誠行為有正向影響。本文建議智慧家居廠商應多發表能夠增強與顧客互動的混合代理智慧家居產品。本研究發現知覺擬人化連結仲介IoT體驗與顧客參與間的關係，補足過往文獻忽略直覺擬人化連結之不足。