Unless的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

The Battle of the Somme 1916: Developing the Offensive – July to Mid September

為了解決Unless的問題，作者Cave, Nigel/ Sheldon, Jack 這樣論述：

After the initial anticipation of great results for the Allied offensive that opened on 1 July, the French and the British had to consider their next moves. Haig made the fateful decision to reinforce perceived success at the center and south of the British line (although Joffre, rightly, wished

to continue the pressure at Thiepval). The result was a series of minor (if expensive) operations to provide a suitable base line for the next major British assault along the Bazentin Ridge, running approximately from east of Longueval to west of Bazentin le Petit Wood. Thus Ovillers, Mametz Wood an

d Tr nes Wood became prominent in Britain's military history. The French soon began to appreciate that the great success south of the river on 1 July was not going to achieve much more unless the front was extended southwards (impractical, given pressure at Verdun and limited manpower resources); or

if advances could be made north of the river that would outflank the Germans to the south. Meanwhile Falkenhayn continued to believe in the imminence of British offensive action further north, in French Flanders, despite the fact that he was reassured time and again that there was no evidence for t

his and that in any case such an eventuality could be contained with reduced resources. Eventually the offensive in Verdun was halted, in late August Falkenhayn was removed after he had presided over increasing friction at the highest level on the Somme front amongst senior commanders; Ludendorff an

d Hindenburg took over and the genius of German defensive measures, Lo berg, arrived on the scene. This book covers actions at Ovillers, Pozi res (notably involving the Australians) Mametz, Delville Wood (South Africa's first great war time action in Europe), the bitter fighting at High Wood, all le

ading up to the great attack on the Somme on 15 September. This was the third such major effort by the British army and the first time since 1 July that the Allies had attacked simultaneously in strength. The book then looks at aspects of the fighting associated with this attack, in particular the r

ole of the New Zealand Division and of the Guards Division around Les Boeufs. It then concentrates on the Anglo French boundary area (Guillemont and Combles) before considering French activity at Maurepas, Cl ry, Biaches and La Maisonette and the extension of the French front on 3 September, with fi

ghting at Soy court, Lihons and Vermandovillers. The book ends with a review of the situation both sides found themselves in mid September, before the action continued its relentless grind at extraordinary cost in men and materiel.

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中文條件句「除非」之語意分析

為了解決Unless的問題，作者李竺芹 這樣論述：

摘要    『除非』一詞在過去的研究有許多爭議，但在過去的研究裡缺乏進一步的解釋，也尚未有結論。關於『除非』的研究，主要有幾種說法。一是其為正面的條件標記(positive conditional marker)，並且和同為正向條件標記的『只有』相似。另一說法是『除非』是負面的條件標記(negative conditional marker)，此說法認為『除非』和『除了』相似。還有一些學者認為這兩種解釋都通，『除非』的語意同時包含了正面和負面，但一個詞同時包含了正面與負面的語意，在人的直觀上並不合理。本文主要是探討『除非』的爭議原因，並予其合理的解釋。解決『除非』爭議的關鍵在『否則』的語意功

能，本文採用郭進屘 (2018, 2021)對『否則』在語意上的定義，來分析『否則』在『除非』句的影響。這能釐清『除非』為正面或負面標記的議題。本文更進一步探討『除非』的語意，『除非』為複合詞，Bauer (2013)用語意的角度細分了複合詞，從其理論能細分『除非』為複合詞當中，『除』與『非』是由『和』連結語意(conjunctive)相連(與並列結構的定義相似)。此外，本文點出『除非』難以直接對應英文的unless，在Geis (1973), Declerck & Reed (2000)和Leslie (2008)的理論中，以連接詞能使用『和』(and)或者『或』(or)來辨析unless的

語意，然而其特徵和『除非』並不相應。本文深究除非的爭議原因，予其合理的解釋，並以語意的角度更進一步地探討『除非』之意。

The Secret of You and Me

為了解決Unless的問題，作者Lenhardt, Melissa 這樣論述：

A DVF Book Club Pick! True love never fades--and old secrets never die...Nora hasn’t looked back. Not since she fled Texas to start a new life. Away from her father’s volatile temper and the ever-watchful gaze of her claustrophobically conservative small town, Nora has freed herself. She can live

--and love--however she wants. The only problem is that she also left behind the one woman she can’t forget. Now tragedy calls her back home to confront her past--and reconcile her future.Sophie seems to have everything--a wonderful daughter, a successful husband and a rewarding career. Yet undernea

th that perfection lies an explosive secret. She still yearns for Nora--her best friend and first love--despite all the years between them. Keeping her true self hidden hasn’t been easy, but it’s been necessary. So when Sophie finds out that Nora has returned, she hopes Nora’s stay is short. The lif

e she has built depends on it.But they both find that first love doesn’t fade easily. Memories come to light, passion ignites and old feelings resurface. As the forces of family and intolerance that once tore them apart begin to reemerge, they realize some things may never change--unless they demand

it.

臺灣獨立樂團文本之插畫創作研究

為了解決Unless的問題，作者梁晉瑋 這樣論述：

 不論文字還是圖像，是否曾有過經由他人所創作，能夠完整的描述出與自身心境相同的作品，因而深受震撼的經驗?具備文采的作家將原本存在於抽象中的概念，藉由實際文字創作出散文、小說、詩歌、歌詞、劇本，因而產生許多的文本資料。    本創作旨在於將那些存在於樂團歌詞文本中撼動人心的文字概念，透過文本分析法解讀作品、剖析文本之內涵，接著以讀者之理解重新創作。後採用創作實證法，擷取文本經典處轉化重新詮釋於視覺圖像當中，將文字與圖像互相搭配。創作取材自以闡揚自由、表達自主精神的搖滾樂為題材，取自於臺灣獨立樂團的｢歌詞｣當中，並以｢心靈｣作為創作主軸，使用數位藝術的技法呈現於圖文插畫當中。共以二十件作品探討關

於｢心靈｣的系列作品，期望能將文字中難以理解的複雜情感經過符號的簡化，形成一種全新解讀文本的創作方式。在歌詞文本轉化成視覺符號的創作歷程中，為了加深對於歌曲、歌詞的體會與感受，在發想過程中會不間斷地重複聽同一首歌曲或是重複特定某一段的歌詞，接著將自身感受以文字方式記錄下來，並將記錄下來的文字轉化成能夠適合傳達歌詞文本涵意的符號，通常在一幅作品中符號的使用上不會使用超過三個，除非引用的歌詞文本中的故事性較強，才會使用三個以上的符號進行視覺轉化。是一種以第一人稱的視角作為風格取材的圖像設計創作，呈現出一種靈魂與歌詞內化後所產生感觸，以創作者本身具有精神疾病的感受進行重新詮釋，因此廣受具有相同疾病的

患者的喜愛。期盼可以透過表現主義創作風格來吸引更多閱讀及觀賞者，進而讓觀賞者可以有助於對臺灣樂團認知的漠視轉而化之更加重視與重要性。