Keynote的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

Islam Based Psychology: Implications for Our World Today

為了解決Keynote的問題，作者Fatemi, Sayyed Mohsen 這樣論述：

Dr. Sayyed Mohsen Fatemi completed his postdoctoral studies in the department of psychology at Harvard University where he has also served as a Teaching Fellow, an Associate and a Fellow. He currently teaches at the University of British Columbia and the University of Massachusetts. He is a frequent

ly published author and has been the keynote speaker of numerous international conferences.

Keynote進入發燒排行的影片

資料庫、介面與敘事化：數位影音資料庫敘事的歧路探索

為了解決Keynote的問題，作者范虹 這樣論述：

在後現代文化中，視頻遊戲、互動影音、電影、網劇，逐漸呈現出一種資料庫的文化形式，這改變了延續上千年的敘事傳統。資料庫是資料的結構化集合，敘事是一種認知建構，在數位媒體時代，它們並不矛盾，而是一種共生關係。結合Manovich提出的資料庫邏輯；以及與裝置、文化、身體相關的介面理論；還有認知敘事學中的敘事化過程，能夠建立一種資料庫敘事的理論模型。 資料庫敘事是一種空間敘事，是基於故事世界的多序列、多形式的講述。它通過螢幕介面、文化介面、身體介面的空間化設計，為觀眾的敘事化過程提供一種個人化的仲介。而敘事化過程需要完成從資料庫中建立序列，以及將特定序列構建為故事世界的雙重任務。所謂的

空間敘事並非取代時間緯度的敘事過程，而是將空間緯度的敘述行為放置到與時間緯度同等重要的位置上，空間維度與時間維度的敘事性要如何進行協調，則是由資料庫中資料的粒度決定。 資料庫敘事理論雖然強調空間緯度的介面設計，但它卻不僅僅是指那些具有交互功能的敘事類型。它是一種中層理論，核心是敘事中展現出的資料庫邏輯，所以前衛電影的敘事、當代電影的複雜敘事、網劇敘事，甚至包括自動生成的「軟電影」都可以被稱作資料庫敘事。而超出單個文本範圍，但同樣基於一個故事世界（資料庫）進行多序列講述的跨媒體敘事，則是資料庫敘事的延伸。 不同符號體系（影像、聲音、文字）的敘事理論並不能通用，我們研究的對象是「數位影

音」。由於數位影音囊括的形式非常多樣，無法對其進行標準的定義，所以更恰當的方法是將數位影音作為一種「裝置」，包含著技術—文化—主體三元關係的特性。研究案例包括視頻遊戲《對馬戰鬼》、互動影音《黑鏡：潘達斯奈基》、網劇《旺達與幻視》、跨媒體敘事《瘦長鬼影》。以案例分析歸納出資料庫敘事的敘述美學：首先，吸引力美學，其受數位影音這一裝置的影響而形成的；其次，越界美學，是資料庫多序列、多形式的敘事方式產生的「序列協同作用」，以及擬像社會這一現實境遇所決定的；最後，介面效應，這是數位媒體時代，內容與媒材分開後，介面現身，藝術作品或文本所要處理的全新議題。

Viral and Antiviral Nanomaterials: Synthesis, Properties, Characterization, and Application

為了解決Keynote的問題，作者 這樣論述：

Devarajan Thangadurai, PhD, is Assistant Professor at Karnatak University, Dharwad in India and did his postdoctoral research at the University of Madeira, Portugal, University of Delhi, India, and ICAR National Research Centre for Banana, India. He is the recipient of Best Young Scientist Award wit

h Gold Medal from Acharya Nagarjuna University, India, and the VGST-SMYSR Young Scientist Award of the Government of Karnataka, India. He has interest and expertise in the fields of biotechnology and nanotechnology for sustainable future. He has authored/edited more than twenty five books with inter

national publishers in USA, Canada, Switzerland and India. He has authored/coauthored 210 publications inclusive of journal articles, book chapters, books and invited presentations. He has extensively travelled to many universities and institutes in Africa, Europe and Asia for academic works, scient

ific meetings, and international collaborations. Saher Islam, PhD, is an HEC Scholar (Higher Education Commission) of the Islamic Republic of Pakistan at the University of Veterinary and Animal Sciences, Lahore, where she received her BS, MPhil and PhD in Molecular Biology, Biotechnology and Bioinfo

rmatics. She is IRSIP Scholar at Cornell University, New York and Visiting Scholar at West Virginia State University, West Virginia in USA. She has keen research interests in genetics, molecular biology, biotechnology, and bioinformatics pertaining to animal, dairy and food science, and has ample ha

nds on experience in molecular marker analysis, whole genome sequencing and RNA sequencing. She has visited USA, UK, Singapore, Germany, Italy and Russia for academic and scientific trainings, courses, and meetings. She is the recipient of 2016 Boehringer Ingelheim Fonds Travel Grant from European M

olecular Biology Laboratory, Germany. She is an author/coauthor of 50 publications including journal articles, book chapters, books and conference presentations. Charles Oluwaseun Adetunji, PhD, is presently the Ag. Director of Intellectual Properties and Technology Transfer; Chairman Committee on R

esearch Grant and Associate Professor of Microbiology and Biotechnology at EUI. He has won several scientific awards and grants from renowned academic bodies like Council of Scientific and Industrial Research (CSIR) India, and Department of Biotechnology (DBT) India, The World Academy of Science (TW

AS) Italy, Netherlands Fellowship Programme (NPF) Netherlands, The Agency for International Development Cooperation Israel, Royal Academy of Engineering UK among many others. He has filed several scientific patents on nanobiosurfactants, nanobiopesticdes and many more. He has published over 150 scie

ntific journals and conference proceedings in international and local refereed journals. His research interest includes microbiology, biotechnology, post-harvest management, and nanotechnology. He is an editorial board member of many international journals and serves as a reviewer to many double-bli

nd peer review journals of Elsevier, Springer, Taylor and Francis, Wiley, PLOS One, Nature, American Chemistry Society, Bentham Science Publishers etc. He is a member of many scientific and professional bodies like American Society for Microbiology, Nigerian Young Academy, Biotechnology Society of N

igeria, and Nigerian Society for Microbiology. He has won international recognition and also acted as a keynote speaker delivering invited talk/position paper at various universities, research institutes and several centers of excellence which span across several continent of the globe. He has over

the last fifteen years built strong working collaborations with reputable research groups in numerous and leading Universities across the globe. He is the convener for Recent Advances in Biotechnology, which is an annual international conference where renowned microbiologists and biotechnologists co

me together to share their latest discoveries. He is also the Founder & CEO of BECTIK Biotechnology and Nanotechnology Company.

疾病書寫：疾病、失能與關懷倫理

為了解決Keynote的問題，作者張錫恩 這樣論述：

醫師在收集「病史」時，會透過聽取患者的「故事」，包括他們的經歷、感受、症狀等來收集材料。通過將患者的「故事」吸納至治療與科學的框架中，患者的經歷成為醫學知識的背景。此舉除了能體現患者的主體性，患者第一人稱的主觀性亦可被科學客觀性的非人格化話語所取代。第一章介紹斯維拉娜·亞歷塞維奇（Svetlana Alexievich）的《車諾比的悲鳴》（2005），探討有毒的場域、身體及生活型態如何以複雜的方式與疾病交織在一起。接著說明，這些車諾比核事故之目擊者的故事，美化及政治化蘇聯所造成的緩慢暴力。車諾比核事故除了導致人們與環境有關的身體健康問題外，還造成人們各種壓力源，包括出生缺陷、歧視、精神疾病。

這些擔憂影響人們的心理健康，即所謂懼射線症。第二章探討奧德雷·洛德（Audre Lorde）的《 癌日記》（The Cancer Journals ，1980），主要側重於討論乳癌的致殘特徵，其導致的不僅僅是女性身體的衰退；它也破壞了女性身體的文化形象及社會功能。然後，女性因身體形象的改變而變成具怪物性的雌雄混合體。長期以來，在西方的想像中，怪異的身體很可能與不正常的身體相互干預，並從而與失能議題聯繫。第三章研究保羅·卡拉尼西（Paul Kalanithi）的《當呼吸化為空氣》（2016），討論生命政治與「醫療凝視」如何引導醫師修改患者的故事，以使他們的敘事切合生物醫學範式並過濾掉非生物醫學材

料。最後，卡拉尼西透過自身疾病的演變使人們更加了解疾病的身份是如何形成的，以及它如何塑造一個患有絕症的人。作為一名醫師，卡拉尼西了解患者在診斷中的位置，感受到患者對於「生命無常」的擔憂，並且以患者的角度看待「醫病關係」 。通過對這三部作品的分析，可以大致了解以下概念：（1）環境與人類福祉之間的密切關係；（2）有或沒有乳房的女性的社會及文化含義；（3）醫患之間的積極互動。這些同時實現並激發人類、非人類與環境之間聯結的可見與不可見的界面。