FrontPage的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

Debunking Howard Zinn: Exposing the Fake History That Turned a Generation Against America

為了解決FrontPage的問題，作者Grabar, Mary 這樣論述：

Mary Grabar is a resident fellow at the Alexander Hamilton Institute for the Study of Western Civilization and the founder of the Dissident Prof Education Project. She taught at the college level for twenty years, most recently at Emory University, and her work has been published by The Federalist,

Townhall, FrontPage Magazine, City Journal, American Greatness, and Academic Questions.

FrontPage進入發燒排行的影片

朦朧．隱蔽－吳惠淳水墨創作中的漂流心象

為了解決FrontPage的問題，作者吳惠淳 這樣論述：

本文為筆者在移動與遷移的離散狀態之下，回溯自身生命歷程，對自我存在路徑的探索與思考，其中包含了空間移轉中的自我跨界、離散狀態下的認同歸屬、無限綿延與回返的記憶⋯⋯等，筆者透過理論論述及水墨創作研究去回應上述議題，利用水墨媒材本身氤氳迷濛之特性，複合其他媒材，如：膠彩、箔、蕾絲布料、拓印⋯⋯等等，企圖藉由朦朧與模糊的敞開性去開拓個人在創作上的視覺語彙，並在此隱蔽與自由的空間裡重構出有別於現實的平行宇宙與心象，也作為個人生命軌跡之紀錄與梳理。 第一章為緒論，敘述筆者創作的動機與目的，並簡述創作方法論以及創作範圍與其限制，最後輔以本文中較為關鍵和重要的名詞釋義；第二章以「離散」作為切入點，探

討人面臨離散時的生存境遇，綜合時間與空間因素，論述離散個體徘徊於中心與邊緣之間，藉由記憶的時間性與反記憶特質重新返回過去，並在時間的綿延之中達到空間上的自我跨界與重構自身藝術場；第三章連結「離散」與「朦朧．隱蔽」之關係，敘述一個從外到內的轉向過程，藉由「朦朧．隱蔽」語境中的象徵及隱喻呈現自身內在的抽象情感，最後梳理此種「朦朧．隱蔽」中內含的虛境審美；第四章為統合「離散」與「朦朧．隱蔽」而得出的創作思維與創作模式，由筆者自身「出走與返家的遊牧經驗」為開端，到過程中意識之「零碎與片段的意象堆砌」，最後刻畫出自身「模糊而隱微的生命軌跡」去對應筆者以水墨形式與技法去塑造「朦朧、模糊」的創作模式；第五章

為創作實踐與代表作品解析；第六章為結論。

The King of Confidence: A Tale of Utopian Dreamers, Frontier Schemers, True Believers, False Prophets, and the Murder of an Amer

為了解決FrontPage的問題，作者Harvey, Miles 這樣論述：

The riveting story of the most infamous American con man you've never heard of: James Strang, self-proclaimed divine king of earth, heaven, and an island in Lake Michigan, until his assassination in 1856.In the summer of 1843, James Strang, a charismatic young lawyer and avowed atheist, vanished fro

m a rural town in New York. Months later he reappeared on the Midwestern frontier and converted to a burgeoning religious movement known as Mormonism. In the wake of the murder of the sect's leader, Joseph Smith, Strang unveiled a letter purportedly from the prophet naming him successor, and persuad

ed hundreds of fellow converts to follow him to an island in Lake Michigan, where he declared himself a divine king. From this stronghold he controlled a fourth of the state of Michigan, establishing a pirate colony where he practiced plural marriage and perpetrated thefts, corruption, and frauds of

all kinds. Eventually, having run afoul of powerful enemies, including the American president, Strang was assassinated, an event that was frontpage news across the country. The King of Confidence tells this fascinating but largely forgotten story. Centering his narrative on this charlatan's turbule

nt twelve years in power, Miles Harvey gets to the root of a timeless American original: the Confidence Man. Full of adventure, bad behavior, and insight into a crucial period of antebellum history, The King of Confidence brings us a compulsively readable account of one of the country's boldest con

men and the boisterous era that allowed him to thrive. Miles Harvey is the author of the national and international bestseller The Island of Lost Maps and the recipient of a Knight-Wallace journalism fellowship. His book Painter in a Savage Land was named a Chicago Tribune Best Book of the Year.

He teaches at DePaul University.

緬甸羅興亞問題——批判恐怖主義的觀點

為了解決FrontPage的問題，作者陳名灝 這樣論述：

2019年11月甘比亞向國際法院（International Court of Justice, ICJ）控訴緬甸違反 1948 年《防止及懲治滅絕種族罪公約》（Convention on the Prevention and Punishment of the Crime of Genocide, CPPCG）。該一訴訟案源自於2017年緬甸軍方大規模鎮壓羅興亞人（Rohingya）並迫使其逃往鄰國孟加拉的政策作為。緬甸羅興亞問題近年來之所以成為國際矚目的焦點，主因在於緬甸境內信奉伊斯蘭教的少數族群羅興亞人長期遭受多數信仰佛教的人民及相關佛教激進組織的歧視和迫害，更有甚者是面對國家軍隊的暴

力跟血腥衝突。事實上，緬甸羅興亞問題由來已久，本研究欲探究其脈絡，了解緬甸這個國家和民眾，在政策、法律和文化等面向上，排除羅興亞人的深層因素。本研究以「批判恐怖主義研究」（Critical Terrorism Studies, CTS）作為主要的研究途徑，並用以檢視緬甸政府是否有施行國家恐怖主義與政治暴力的事實。此外，鑑於緬甸羅興亞問題存有複雜、難解的特性，本研究欲審視羅興亞人除了遭受緬甸政府施行的直接暴力以外，在社會、政治、經濟、環境和制度等面向中，所謂的「結構性暴力」（Structural Violence）問題是否長存於羅興亞人的社會結構中。最後，在緬甸羅興亞問題個案中，探討傳統恐怖主義

研究（Orthodox Terrorism Studies, OTS）的研究限制和缺失，以及國際社會衝突解決機制無法預防和處理的原因。關鍵詞：緬甸羅興亞問題、批判恐怖主義研究、國家恐怖主義、結構性暴力