An artefact的問題,透過圖書和論文來找解法和答案更準確安心。 我們找到下列懶人包和總整理

An artefact的問題,我們搜遍了碩博士論文和台灣出版的書籍,推薦Richardson, E. E.寫的 Ritual Crime Unit: Volume 1 和Schuster, James,McDonnell, Te Aroha,Maihi, John Niko的 Hei Taonga Ma Nga Uri Whakatipu: Treasures for the Rising Generation: The Dominion Museum Ethnological Expeditions 1919-1923都 可以從中找到所需的評價。

這兩本書分別來自 和所出版 。

國立臺北科技大學 製造科技研究所 李仕宇所指導 林昱成的 智慧心律系統研發:以渾沌積分映射系統為基礎之心律不整檢測系統 (2021),提出An artefact關鍵因素是什麼,來自於渾沌映射網路、非線性動力學應用、智慧機械、人工智慧、心臟狀態檢測分析。

而第二篇論文國立清華大學 藝術與設計學系所 江怡瑩所指導 李冠儀的 內在地圖-李冠儀當代首飾創作論述 (2021),提出因為有 內在地圖、知覺現象、喚起狀態、藝術治療、當代首飾的重點而找出了 An artefact的解答。

接下來讓我們看這些論文和書籍都說些什麼吧:

除了An artefact,大家也想知道這些:

Ritual Crime Unit: Volume 1

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為了解決An artefact的問題,作者Richardson, E. E. 這樣論述:

A hard-nosed, down to earth senior policewoman takes on skinchangers, necromancers and evil spirits in this atmospheric urban fantasyWelcome to the Ritual Crime Unit.A hard-nosed career officer in a male-dominated world, DCI Claire Pierce of North Yorkshire Police heads Northern England’s underfunde

d and understaffed Ritual Crime Unit. Dismissed by the traditional police, struggling with an outsized caseload, the RCU is the country’s last line of defence against horrors few can imagine. A failed raid to capture an unlicensed skinbinder becomes a murky off-the-record hunt for a monster. Injured

in the line of duty, Pierce returns to contend with ritual murders, puzzling artefact thefts, haunted skulls and a plot with catastrophic implications. With a rebellious second-in-command, an inexperienced team and a boss who only cares about public relations, Pierce has to join the dots before it’

s too late... E. E. Richardson has been writing books since she was eleven years old, and had her first novel The Devil’s Footsteps picked up for publication at the age of twenty. Since then she’s had seven more young adult horror novels published by Random House and Barrington Stoke. She also has

a BSc in Cybernetics and Virtual Worlds, which hasn’t been useful for much but does sound impressive.

智慧心律系統研發:以渾沌積分映射系統為基礎之心律不整檢測系統

為了解決An artefact的問題,作者林昱成 這樣論述:

摘要 iABSTRACT ii誌 謝 ivContents vList of Tables viiList of Figures ixChapter 1 Introduction 11.1 Motivation 11.2 Background 11.3 Contributions 61.4 Organization of the Thesis 7Chapter 2 Experiment I - Smart Detection Method for Personal ECG Monitoring 82.1 The Experiment Data Source & Dat

a Processing 92.1.1 The Experiment Data Source 92.1.2 Data Processing 102.1.3 Chaotic-Mapping Integral Network 112.2 Extract Characteristics 142.2.1 Feature Extraction (Euclidean Distance Feature Value) 142.2.2 Feature Extraction (Central Point Distribution) 142.3 Classification 152.3.1 Expe

rimental results-detection of ECG states via method I 162.3.2 Experimental results-detection of ECG states via method II 18Chapter 3 Experiment II- Smart Real-Time Monitoring System for Arrhythmia 233.1 The Experiment Data Source & Data Processing 253.1.1 The Experiment Data Source 253.1.2 Data

Processing 273.2 Double Chaotic-Mapping Integral Network 333.3 Extract Characteristics 373.3.1 Feature Extraction (Euclidean Distance Feature Value) 373.3.2 Feature Extraction (Central Point Distribution Feature Value) 383.4 Classification 383.4.1 Experimental results-detection of ECG states

via method I 403.4.2 Experimental results-detection of ECG states via method II 45Chapter 4 Conclusions and Future Work 524.1 Conclusions 524.2 Future Work 52Reference 54

Hei Taonga Ma Nga Uri Whakatipu: Treasures for the Rising Generation: The Dominion Museum Ethnological Expeditions 1919-1923

為了解決An artefact的問題,作者Schuster, James,McDonnell, Te Aroha,Maihi, John Niko 這樣論述:

James Schuster (Te Arawa) is a Maori Built Heritage Adviser (Traditional Arts) to Heritage New Zealand Pouhere Taonga. Born and raised in Rotorua into a family that has maintained and practised Maori arts and crafts for generations, his traditional knowledge and skills have been passed down through

his family. His great-great-grandfather was Tene Waitere, the renowned Ngati Tarawhai carver. Te Aroha McDonnell (Ngati Hau, Ngati Kurawhatia, Ngati Haua, Te Atihaunui-a-Paparangi, Ngati Maru, Ngati Maniapoto, Ngati Tuwharetoa) is a representative of Ngati Hau to Te Runanga o Tamaupoko and Te Runang

a o Te Awa Tupua. John Niko Maihi MNZM (Ngati Pamoana Atihaunui a Paparangi) is the son of Aperaniko Maihi (Paeroke) and Te Kahui Gray. He actively supports his iwi and his community in his capacity as kaumatua and Pou Haahi Ringatu. A former member of the Whanganui River Maori Trust Board (1988-201

7), he has held significant leadership roles in the settlement of the Whanganui River Claims. John is the current chair of Te Puna Matauranga o Whanganui Iwi Education Authority, convenes Te Pae Matua Roopu and Te Runanga o te Awa Tupua o Whanganui, and kaiwhakahaere of Te Runanga o Tupoho and kauma

tua for the Whanga Billie Lythberg is a Senior Lecturer in the Faculty of Business and Economics at The University of Auckland, working at the junction of business studies, anthropology and history, with a strong focus on Aotearoa and the Pacific. She co-edited Artefacts of Encounter: Cook’s Voyages

, Colonial Collecting and Museum Histories (University of Otago Press, 2016) and Collecting in the South Sea: the Voyage of Bruni d’Entrecasteaux 1791-1794 (Sidestone Press, 2018), and co-created the Artefact documentary series exploring taonga Maori in collections worldwide (Maori Television, 2018

and 2020). Dame Anne Salmond ONZ DBE FRSNZ FBA is James McDonald’s great-granddaughter and a Distinguished Professor of Maori Studies and Anthropology at the University of Auckland, and a leading social scientist. She is the winner of the Rutherford Medal, New Zealand’s top scientific prize, and man

y international fellowships and awards. She is the author of a series of prizewinning books about Maori life, European voyaging and cross-cultural encounters in the Pacific, most recently Tears of Rangi (Auckland University Press, 2017). In 2021 she was granted the Order of New Zealand, the country’

s top award Te Wheturere Poope Gray (Ngati Kurawhatia ki Pipiriki), also known as Bobby Gray, is the grandson of Te Wheturere Robert Gray and Ngaraiti Tuatini, and son of Te Wheturere James Gray and Janet McFall. During his working years, from 1951 to the 2000s, Te Wheturere was a primary school tea

cher and headmaster at primary schools around the North Island. During his years in Tokoroa, Te Wheturere was part of the founding kaimahi responsible for building Papa o te Aroha Marae, and was also a respected kaumatua there once the marae was built. Now retired, he lives at his ancestral kainga,

Raetiwha Rah Dr Amiria Salmond is James McDonald’s great-great-grand-daughter and is an independent scholar and historian, who was earlier a lecturer in social anthropology and Senior Curator at the University of Cambridge Museum of Archaeology and Anthropology. She is writing a book on the history

of the island of Ulbha (Ulva) in the Scottish Hebrides, which was cleared of the great bulk of its inhabitants in the mid-nineteenth century. Her publications include Museums, Anthropology and Imperial Exchange (Cambridge University Press, 2005) and she co-edited Thinking Through Things: Theorising

Artefacts Eth Dr Wayne Ngata MNZM (Ngati Ira, Ngati Porou, Te Aitanga a Hauiti) is a board member of the Tertiary Education Commission, and board chair of Te Taumata Aronui. He is active in the revitalisation of te reo Maori, a specialist in Maori literature, a longtime advocate for Maori art, and a

n active supporter of the waka hourua renaissance. Conal M

內在地圖-李冠儀當代首飾創作論述

為了解決An artefact的問題,作者李冠儀 這樣論述:

創作做為一種語言,闡述創作者的所見與不可見,透過創作抒發內在沈潛的聲響,收束感知所獲得的複雜資訊,發掘記憶或者覺察生活,將感知裡所體驗的線索轉化成為創作形式,藉由創作將內在的意象體現為實體,從創作過程裡尋獲獨樹一幟的思維,藉此得到療癒或抒發內在的創作目的。本創作論述整理筆者對於家庭經驗及創作的疑惑,探究是否有股力量,亦或是某些徵兆不斷刺激創作者觸發探索的動力,致使創作者起心動念,規劃創作的內容,並付諸行動實踐。筆者從自我發掘與學理研究探討創作意識如何產生,無形的力量如何作為引導,又源自何處?對創作者賦予哪些影響?創作的運作其實在身體裡發生了什麼事,最終創作又向創作者展現了什麼價值與意義?一系

列關於梳理家庭經驗,真實的解構並重建內在地圖與重新開啟感知的創作歷程,筆者試圖以創作療癒自我,藉由創作開展對感知的理解及觀看自我的向度,達成一種譬如抽離的模式遠觀自身,在沈浸於創傷與透過創作的暫時抽離之間,從擺盪於彼此間的感受顯現真實自我的存在,走向認同家庭的階段。創作以五個系列闡述認同家庭特質的歷程,首先是〈窺探系列〉體現筆者向早期經驗進行覺察的初始意象;〈破曉系列〉表述揭發家庭歷史後的情緒轉折;〈脈動系列〉呈現家庭關係與自身知覺經驗相互制約的衝突與糾結感受;〈疊加系列〉發想自記憶中故居地板的破碎補丁;〈容納系列〉則作為隱藏與收納記憶的空間。創作將內在的意象塑造並實踐,闡述了內心透過覺察所感

悟的風景。